Book Chapters

“Writing on the Border.” Between Empires: A Canadian Cultural Studies Reader. Eds. Gail Faurchou, Sourayan Mookerjea and Imre Szeman. Durham, NC: Duke University Press, 2009, 472-487. []

“Postmusics.” Sonic Synergies. Edited by Gerry Bloustein. Palgrave, 2008. []

“The Musicking Machine.” Residual Media. Edited by Charles Acland. University of Minnesota Press, 2007. []

“Space at the Margins: Colonial Spatiality and Critical Theory after Innis” (excerpt). Beyond Wilderness: The Group of Seven, Canadian Identity, and Contemporary Art. Edited by John O’Brian and Peter White. Montreal and Kingston: McGill-Queen’s University Press, 2007. []

“Radio Space and Industrial Time: The Case of Music Formats.” Popular Music: Critical Concepts in Media and Cultural Studies. Edited by Simon Frith. Routledge, 2003. [google books]

“Radio Space and Industrial Time: The Case of Music Formats” Critical Cultural Policies. Edited by Justin Lewis and Toby Miller. Blackwell Press, 2002. []

“Cultural Technologies and the ‘Evolution” of Technological Cultures.” Contemporary Cultural Theory and the World Wide Web. Edited by Andrew Herman and Thomas Swiss. Routledge,  2001. []

“Bodies of Theory, Bodies of Pain: Some Silences.” Feminism-Art-Theory: An Anthology 1968-2000. Edited by Hilary Robinson. Blackwell Press, 2001. []

“Getting Down to Business: Cultural Politics and Policies in Canada” (with Will Straw, revised from 1994). Communications in Canadian Society, fifth edition. Edited by Benjamin Singer and Craig McKie. Thompson Educational Publishing, 2001. []

”Nationalism and the Modernist Legacy: Dialogues with Innis” Capital Culture. Edited by Jody Berland and Shelley Hornstein. Montreal: McGill-Queen’s University Press, 2000. []

“Space at the Margins: Colonial Spatiality and Critical Theory After Innis.” Harold Innis in the New Century: Reflections and Refractions. Edited by Charles Acland and Bill Buxton. Montreal: McGill-Queens University Press, 2000. []

“Das Wetter und wir. Wie Nature und Kultur sich miteinander vershranken,” in Widerspenstige Kulturen: Cultural Studies als Herausforderung. Edited by Karl H. Hörning und Rainer Winter. Frankfurt am Main: Suhrkamp Taschenbuch Verlag, 1999 (in German). []

“Weathering the North: Climate, Colonialism and the Mediated Body.” Pop Can: Popular Culture in Canada. Edited by L. Van Luven and P. Walton. Prentice-Hall, 1999. []

“Imaging Weather: TV and the Celestial Panoptikon.” Culture Lab, Volume 2. Edited by Brian Boigon. Princeton Architectural Press, 1999. []

“Locating Listening: Technological Space, Popular Music, Canadian Mediation.” The Place of Music:  Music, Space and the Production of Place. Edited by Andrew Leyshon, David Matless and George Revill. Guilford Press, 1998. []

“Weathering the North: Climate, Colonialism and the Mediated Body.” Pop Can: Popular Culture in Canada. Edited by Lynne van Weuten and Priscilla Walton. Prentice-Hall, 1998. []

“Mapping Space: Imaging Technologies and the Planetary Body.” Technoscience and Cyberculture. Edited by Stanley Aronowitz, Barbara Martinson and Michael Menser. Routledge, 1996. []

“Video, Language, the Common/place.” The (best) Source Book on Canadian Artists’ Video. Edited by Peggy Gale and Lisa Steele. Art Metropole, 1996. []

“Bodies of Theory, Bodies of Pain: Some Silences.” Theory Rules: Proceedings of the Art and Theory/Theory as Art Conference. Edited by Jody Berland, Will Straw and David Tomas. YYZ/University of Toronto Press, 1996.

“Remote Sensors: Canada in Space” Canadas. Edited by Jordan Zinovich. Semiotexte, 1994.  []

“Getting Down to Business: Contemporary Cultural Politics and Policies” (with Will Straw, revised). Communications in Canadian Society, fourth edition. Edited by Benjamin Singer. Nelson, 1994. []

“Radio Space and Industrial Time: the Case of Music Formats.” Canadian Music: Issues of Hegemony and Identity. Edited by Beverley Diamond and Robert Witmer. Canadian Scholars’ Press, 1994. []

“Radio, the State and Sound Government.” Radio Rethink. Edited by Daina Augaitus and Dan Lander. Walter Phillips Publications, 1994 (originally appeared under the title “Toward a Creative Anachronism” In Public, No.4/5, 1990/91). []

“Weathering the North: Climate, Colonialism and the Mediated Body.” Relocating Cultural Studies. Edited by Valda Blundell, John Shepherd and Ian Taylor. Routledge, 1993. []

“Sound, Image, and Social Space: Music Video and Media Reconstruction.” Sound and Vision: The Music Television Reader. Edited by Simon Frith, Andrew Goodwin and Lawrence Grossberg. Routledge, 1993. []

“Radio Space and Industrial Time: The case of music formats.” Rock and Popular Music: Politics, Policies and Institutions. Edited by Tony Bennett, Simon Frith and John Shepherd. Griffith University Institute for Cultural Policy Studies. Routledge, 1993. []

“Contradicting Media: Toward a Political Phenomenology of Listening” Radiotext(e). Edited by Neil Strauss and Dave Mandl. Semiotext(e), 1993. []

“Angels Dancing: Cultural Technologies and the Production of Space” in Cultural Studies, edited by Lawrence Grossberg, Cary Nelson, and Paula Treichler, Routledge, 1991 (Reprinted in Trajectories: Towards a New Internationalist Cultural Studies, editor, Kuan-Hsing Chen, Tsing Hua University, 1992). []

“Getting Down to Business: Contemporary Cultural Politics and Policies.” Communications in Canadian Society, third edition. Edited by Benjamin Singer. Nelson, 1991. []